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last updated january twenty fourth two thousand nine

 
 
 
The Microphone Was Upside Down
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About
    The Microphone Was Upside Down is a backwards song about backmasking.  It highlights three of the most prominent songs in the great debate about songs thought to contain backmasking:  "Stairway To Heaven" by Led Zeppelin, "Revolution 9" by The Beatles, and "Another One Bites The Dust" by Queen.  I also reference the "Paul Is Dead" idea in the verse about the Beatles.
    The last line of the song, "Or were they worshipping there's?" is there because when you turn "there's" around backwards it sounds like "Satan" (that's where the Stairway To Heaven controversy came from; lots of lines in the song contain the lyric "there's").  The lyric line is obviously supposed to be "Or were they worshipping Satan?" but the "Satan" is backwards when you listen to it forwards and the rest of the line is backwards when you listen to it backwards.
    Personally, I believe most songs only accidentally contain backmasked messages.  Stairway To Heaven was possibly an accident (I know people cite the "Sometimes words have two meanings" line as evidence, but I think that's just continuing the story in the song), Revolution 9 was definitely purposefully backmasked, and Another One Bites The Dust is hilarious but I believe it was accidental.  I know there are some Zappa songs and some White Stripes songs and some Weird Al songs (along with many more, I'm sure) that have intentional backmasking in them, but for the most part the "Satanic" backmasked songs are mostly accidents.
    I've actually recorded three entirely different versions of this song.  The first had crappy chords and crappy lyrics (the lyric were about a completely different topic), the second version had the current lyrics but maintained the same crappy chords, and this new version has completely revised lyrics and music.  It's mostly based on a blues scale in the key of C, but I throw a natural seventh and a second and I think some major thirds in there occasionally.  It doesn't sound so much bluesy but like some poseur hard-rock song.  I think it's cause I overused minor thirds.  It's still a pretty cool song, though, and it sounds kind of creepy when turned around backwards.

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Included on every song's page is a  condensed version of my comments on the song.  I've also written a very long commentary on every aspect of the album, and if you are interested in reading it, please click here.
 
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